Fletchertown by Raymond Moore, 1977

Three Perspectives On Raymond Moore

In this dissertation I approach the photography of Raymond Moore, photographer and artist, from three perspectives: his positioning in Britain’s photographic history, the perspective of Moore himself, and the perspective of a viewer engaging with one of his photographs.


Topics discussed in relation to Moore's photographs include Edmund Burke's sublime, Freud's uncanny, and haptic and hypnagogic imagery.

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